EditReady is well worth the fifty bucks and it will handle about anything you can throw at it, it's a robust piece of pro software, not like Rocky Mountains at all. (FCP 6 and 7 also do a good job transcoding HVAC with their log and transfer windows). You can also resize and conform frame rates at the same time. And you can recompress ProRes all day with no artifacts or visible loss.ĮditReady does a killer job with AVCHD, just drag the folder in, set your output folder, and make some coffee or whatever. it's designed to run like a champ on a decent Mac. it's a good format for shooting but I don't like it for post.ĭon't know about FilmConvert, but you can edit ProRes 1080 on a pre-2000 mac all day, full screen, full rez, no slowdowns unless you add a lot of filters or stack a bunch of titles and graphics. I really dislike AVCHD since I can't go to the folder, see the clip I want, and grab it, insert it, trim it, effect it, whatever. And if your system doesn't have a lot of oomph, editing native will slow you down, where ProRes will crank through like melting butter on toast. So again, Prores is much more universal on a mac. trimming in AE, and I tend to do that daily. I also very much prefer to trim files in MPEG Streamclip for effects or motion graphics vs. Makes it easier to share footage, and more seamless to jump from after effects, etc. Opinions are various and often heated, but I'm a prores shop and transcode from the start. Some NLEs will let you edit right from AVCHD (but they're basically rendering it in the background as I understand it).
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